We are constantly being put to the test by trying circumstances and difficult people and problems not necessarily of our own making.
My breakthrough as a reader was when I discovered the European adventure story writers - Alexander Dumas, Robert Louis Stevenson, Sir Walter Scott, to name a few.
I think I make better use of language and imagery than when I started out.
When I was a kid, we had to rely on our imaginations for entertainment.
Growing up, I didn`t have a lot of toys, and personal entertainment depended on individual ingenuity and imagination - think up a story and go live it for an afternoon.
I remember one winter, when I was about five or six, I spent three days with another boy, tracking a bobcat that had been sighted in another county fifty miles away, but which I was sure had come into our neighborhood.
What is interesting to me is how the characters respond, how they change and grow by facing what often seem overwhelming difficulties.
A world in which elves exist and magic works offers greater opportunities to digress and explore.
I want you, as a reader, to experience what I experience, to let that other world, that imaginary world that I have created, tell you things about the real world.
On the other hand, I still approach each book with the same basic plan in mind - to put some people under severe stress and see how they hold up.
Testing of self is a regular part of our own lives, so it seems natural to make it a part of the lives of my characters, as well, albeit on a much different level.
I didn`t want readers to have to make allowances for what they couldn`t see, but to be able to say to themselves that the fabric of the magic detailed was perfectly believable.
But I am the same storyteller as always.
Fantasy is the only canvas large enough for me to paint on.
My interests are different now than they were thirty years ago.
I have learned to do more with less, so you don`t see the big books anymore.
Hurt leads to bitterness, bitterness to anger, travel too far that road and the way is lost.
I had wanted to do a dark fantasy set in the present in our own world for some time, but I didn`t have what I felt was the right vehicle.
Even after Sword was published, I was still only thinking about the next book, Elfstones.
Writing fantasy lets me imagine a great deal more than, say, writing about alligators, and lets me write about places more distant than Florida, but I can tell you things about Florida and alligators, let you make the connection all on your own.
I want to kick-start your imagination and let you discover the places it can take you.
For a writer, its very attractive to stay in one world for a time.
What I want to write about has changed somewhat, and the scope of the storytelling has changed accordingly.
One summer we played for a week at being Knights of the Round Table, using broom handles as swords and lances and metal garbage can lids as shields.
After all, you put a lot into creating a universe and everything that goes with it, and it seems a shame to use it only once.
We forget that what matters begins with the imagination.
In bad weather, I spent hours drawing action figures on paper, coloring them, backing them on cardboard, then cutting them out and creating whole stories around their lives.
Well, I think that as a country, we`ve drifted away from appreciating the importance of imagination.
In Running with the Demon, I wanted to say something about the nature of childhood, and what it`s like to grow up in a small town.
I haven`t made up my mind about doing anymore Landover books.
Anyway, several rewrites later, Del Rey Books did publish my first novel, and it did become the first work of fiction on the New York Times trade paperback bestseller list.
I might add that you change as a person as you grow older, so you change as a writer, too.