Joseph Fiennes Quotes


Joseph Fiennes

But it`s a strange thing when people judge you because you`re not doing some big Hollywood film. Are you suggesting I should be in The Dukes of Hazzard? I mean, hello?

I`m a believer, however naively, that someone will place me in a project because they`ve seen my work, rather than me being bullish or so ambitious that I get the part by any other means.

I don`t know what my limitations are until I reach them. I look for the challenge.

I think everything I do is my early work. I can`t wait to get on to the later stuff.

Being the youngest makes you long for more of a voice. You find that voice early in theatrics of the kitchen. I was the one screaming, `Hey, where is my food?`.

I`ve always believed that you shouldn`t want to mend a broken heart, because that`s someone you don`t want to forget. Scars can be good.

I love new writing, new blood, modern works by unknown writers.

Give me a sword fight any day.

I don`t read reviews. I can always spot an actor who`s read his reviews, because if they`re good, he`s swaying about the stage, and if they`re bad, he`s changed his performance. He comes in limping or something.

It`s weird. I never hid adolescence. I kind of bypassed it, and I`m a bit angry that I didn`t go through all the angst. I had the acne but no angst. From the age of about five to twelve I was very bad, a hideous little terror who beat people up. I was a member of a Rough Gang - we went around and terrorised all the pupils in school. I was this really nasty kid, and then overnight I turned into the man I am now.

Well, that`s his journey. I know that I might have only got Shakespeare in Love because someone else turned it down; it`s a very small marketplace. So it would feel weird to say, `Oh, yeah I could have been there on Oscar night`, because the whole chemistry of the film is built around that particular actor. Who knows if it would have had the same effect with a different cast. It`s a mercurial world of alchemy. (on turning down Adrian Brody`s role in The Pianist which garnered the actor an Oscar)

I think academics are infuriating. For every expert on Shakespeare there is another one to cancel his theory out. It drives you up the wall. I think the greatest form of finding out the truth is through fantasy.

I was in this guy`s office in LA two years ago and he said: `Love your work, Joe, love your work.` I`m thinking, wow, he came all the way to catch me as Christ in Son of Man at the Barbican. I asked what he`d seen me in and he replied: `Nothing` - without a flicker of irony. I thought, OK, that`s how it works.

Who has gone through their lives without those ups and downs, whether they are a journalist or an actor or a painter or an accountant? There are always going to be times when it doesn`t flow as much as you were hoping. So of course I`m going to fail. And when I do fail I hope I fail better and better, again and again. I am happy to fail.

I`d like to be a passion fruit. Not because it`s passionate, but because someone I know is mad about them and has got me onto them.

For a lot of British actors, the theatre is home. It`s what they did before you knew them, as it were.

From the age of about five to twelve I was very bad, a hideous little terror who beat people up. I was a member of the Rough Gang - we went around and terrorized all the pupils in school.

What`s that Russian saying? `How do you make God Laugh? - Tell him your plans.` It`s kind of true.

I withdrew after Shakespeare in Love (1998) and went back to the theater, to what I know. I went back to what my initial voice was, which was to find a range and freedom and a creative energy. If that meant not following up with a typical leading-man role, then that`s what it is. I`m an actor, and whatever speaks to me I will do.

It takes years to establish yourself, and then you have one big film and everyone calls you an overnight success. You think, `Christ, I`ve been sweating and crying for seven years.`

I`ve got a vendetta to destroy the Net, to make everyone go to the library. I love the organic thing of pen and paper, ink on canvas. I love going down to the library, the feel and smell of books.






Navigation Boxes
Cinema of the United Kingdom
100 Days (2001)
1871 (1990)
49th Parallel (1941)
77 Park Lane (1931)
8 ½ Women (1999)
A Clean Sweep (1958)
A Good Year (2006)