"I am not a great French woman. George Sand, Marguerite Duras and Simone de Beauvoir are great French women".
- Juliette Binoche(on D2: The Mighty Ducks (1994)) "I had a new double every week! Some guy would be Brandon`s double, then he`d become my double. Or Marguerite`s double one day would be my double the next day!"
- Garette Ratliff Henson Of Ann Pennington’s official film debut in Susie Snowflake, the New York Times stated on June 26, 1916:
Many of those who went to the Broadway yesterday for the first showing of Susie Snowflake will be inclined to endorse this particular nomination. Miss Pennington is obviously put forth as a diminutive star of the Marguerite Clark variety, a style enormously in vogue at the moment. She is little and cunning on Mr. Ziegfeld’s stage and little and cunning on the screen. She has youth, a Mary Pickford like harum-scarum way with her and, except in the trying close-ups when her expression is somewhat adenoidal, she is pretty.
Of course she dances. As her frisky little dance is her sole claim to fame at the moment, it could no more be omitted from her first scenario than the “pump and washing tubs” in Mr. Crummles’s theater. So as a child of the music halls adapted into a staid, old New England community, Susie Snowflake disrupts a church sociable by doing her Follies dance there in her terse Follies costume.
