(On Showgirls (1995)) "I decided to make my part campy because I initially thought that it was going to be really dark and really intense and then it just turned out to be completely different. So instead of going in that direction, I decided to make it so that drag queens would want to dress as my character on Halloween".
- Gina GershonIt`s just a campy blast. I just want to do as little as I can and make it good, and try not to sell out. I`m sure I will, but I`m just trying to postpone it.
- David SpadeI did a grad film but that ended up hurting me more than it helped. My grad film was this over the top, gonzo, completely absurd sci-fi thing with non- professional actors. When you have actors in their fifties who are still doing student films, you`re not going to get top-of-the-line. It was a thing with a teleportation chamber, with a mad scientist and it was completely absurd. It cost $60,000, but it was completely campy, Mystery Science Theater 3000" (1988) kinda stuff, so when people looked at the short, they went, `Well, is this how the acting is going to be in Donnie Darko (2001)? We don`t think you can direct actors if that`s anything to go by.` I was like, `Give me a good actor, and I can direct.` It became really frustrating when the short came up and it gave people a reason to pass. I would recommend that if you want to do a short, then do a short that`s one or two scenes from the feature you want to direct, so they can see it. They really can`t think outside the box. If you want to get a feature made, I would go and scrape together whatever money you can get, find an actor who can really pull off one of the parts and shoot a few scenes from your feature screenplay that can serve as a short. That`s the best evidence that you can give them. That`s what Wes Anderson did with Bottle Rocket, it was originally a short film. And it worked."
- Richard Kelly