At the moment, my mother is the only one left in Glasgow, although it`s certainly my home.
It means that if they misunderstood Comfort and Joy, they misunderstood my other films.
The movie business is very much like that: people in authority making purely emotional decisions instead of interesting rational ones.
My two elder sisters married Englishmen and went abroad.
It`s easier for me to get three times the amount of money I really want.
I`d made these experimental films but I thought the major chore of a filmmaker was to relate to actors.
When I read Housekeeping, it wasn`t from the point of filming. It was months and months later that the idea of making it into a movie caught.
I didn`t think Comfort and Joy was going to be a box-office smash.
I went to the Glasgow Youth Theatre and they just let me in. But I was so shy that I was there for about six weeks without actually introducing myself.
I don`t really enjoy filming.
There are things that Scotsmen get and other people don`t get in the dialogue. Scottish characters can be pinpointed by a phrase, targeted very quickly.
The studio system reminds me of the stock market.
I was quite surprised how easily people wanted to pigeonhole things I`ve done.
I`m not fond of any of my films in an intimate way, but Gregory`s Girl would be number 4 on my list.
It was three years after I`d finished the script for Gregory`s Girl that I got to make it, but I prefer That Sinking Feeling as a film.
Perhaps naively I thought people understand what humor was, that it was invented by the human race to cope with the dark areas of life, problems and terrors.